Composite illustration created from stock images to represent a program at the World Science Festival in 2017 entitled Computational Creativity: Ai and the Art of Ingenuity.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival in 2018 entitled Rewriting Life: The Promise and Peril of Editing Your DNA.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival in 2016 entitled Evolution Evolves: Are We the Masters of Our Fate?

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from photographs—Art Directed by yours truly in collaboration with photographer Michael Marcelle—and stock images to represent a program at the World Science Festival in 2019 entitled The Reality of Reality: A Tale of Five Senses.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival in 2018 entitled The Matter of Antimatter: Answering the Cosmic Riddle of Existence.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival in 2016 entitled Moral Math of Robots: Can Life and Death Decisions Be Coded?

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival in 2019 entitled Rethinking Thinking: How Intelligent Are Other Animals?

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival in 2017 entitled Spare Parts: The Promise of Human Regeneration.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival in 2019 entitled CRISPR in Context: The New World of Human Genetic Engineering.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from photographs—Art Directed by yours truly in collaboration with photographer Michael Marcelle—and stock images to represent a program at the World Science Festival in 2019 entitled The Higgs Hangover: A Sober Look at the Wild Frontier of Particle Physics.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival in 2016 entitled My Neurons, My Self, about the science of locating the notion of "self" and conciousness in the brain and body.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival Brisbane in 2017 about the evolution of robotics.

Composite illustration created from stock images to represent a program at the World Science Festival, years 2017–2019, entitled Science and Story. The event features a collection of conversations with children’s book authors who write about science.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival in 2018 entitled Making Room for Machines: Getting Ready for AGI.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival in 2016 entitled To Unweave a Rainbow: Science and the Essence of Being Human.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival in 2018 entitled Who Is Out There: Why Alien ‘life’ May Be Weirder Than We Imagine.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival in 2016 entitled It’s Alive, but Is It Life? Synthetic Biology and the Future of Creation.

This illustration was used on the stage screen during the program, on the website, in program signage, in the festival program guide, in digital advertisements, and on other printed and digital collateral.

Composite illustration created from stock images to represent a program at the World Science Festival Brisbane in 2017 about privacy on the internet.